JENNIFER CROUCH
Art-science practitioner and researcher
CV

Selected works:
  1. Drawings
  2. Paintings
  3. Textiles
  4. Ceramics
  5. Prints
  6. Workshops


“Recorporealising MRI Data” PhD artwork:
  1. MRI: physics and data
  2. Phantoms
  3. Art object as scientific device
  4. Weaving patterns
  5. Yarn wrappings // lab maps 
  6. Body-loom assemblage
  7. Woven-work
  8. Research maps
  9. Painted cartographies


Workshops, exhibitions & public engagement:
  1. Membranes
  2. Public engagement of science /Art-Science Workshops
  3. Synthetic Biology workshops
  4. The Clearing: A project from the future
  5. Reitir
  6. Arctic Circle Residency
  7. Jiggling Atoms
  8. Invisible Structures
  9. Books


Other work:
  1. Embroidery symbols
  2. Geology paintings
  3. The Moss Crest Project
  4. Flatland paintings
  5. The Magic Calendar
  6. Probability
  7. Dissecting Room Drawings
  8. Other ceramics
  9. Radio Club
  10. Sunk Season
  11. Epecuen (mural/installation)
  12. A Vague Inventory of Ailments and States



Biography —
Info
  1. Dr. Jennifer Crouch is an art-science practitioner working in sculpture, textiles, drawing, installation and painting. They have a background in physics and medical illustration and experience working as an artist in scientific laboratories, on expeditions in the Arctic Circle, with communities, and as part of local and international art projects. 
  2. Jennifer has guest lectured at universities across the UK and Europe, teaches textile arts at Morley College London, is fashion lead at NewVic FE College, and is an associate lecturer on the MA in Art and Science at Central Saint Martins, London. 
  3. They have published books on popular science and anatomical art. 
  4. Jennifer is a queer slug and keen gardener interested in liminality, composting, LBGTQ culture & experiences, textiles, kink, magic and the absurdity of the cosmos.

Mark




I was commissioned to create a mural for the launch of RedBull film Epecuén with Danny MacAskill. Directed by Dave Sowerby with professional street trials rider Danny MacAskill riding over detritus, rubble, across sand and up walls - and making it looks easy - around the once aquatic ghost town of Epecuén; a town in Argentina which was submerged in salt water for 25 years.

For over a week I painted three large walls at RedBull HQ to accompany a photographic exhibition of stills from the film for it's first screening.

A fantastic commission to celebrate this glorious film created in a fantastical place, watch it.