JENNIFER CROUCH
Artist, researcher, author and art-science practitioner working in drawing, textiles and sculpture

about
CV


Portfolio overview:
Symbols
Drawings
Paintings
Textiles
Sculpture
Ceramics
Prints
Workshops
TATTOOS 
Celestial Collections: quilted designs


“Recorporealising MRI Data” PhD project:

ABSTRACT
MRI: physics and data

Body-machine interface: Phantoms

Art objects as a scientific device

Analogue-digital interface: developing patterns
Re-corporealising MRI data 

Yarn wrappings // lab maps 

Body-loom assemblage

Woven-work

Research maps

Painted cartographies



Practice-based Research projects:
A (sym)poetics of biomineralisation
Textile research methodologies
Synthetic Biology workshop
HELLMOUTH
Cosmic New Materialisms (reading group)
Telescope Club
Textile teaching (on-going - Morley College)


Projects, Exhibitions and Residencies:
Keystone Species Exhibition at Proposition Studios
Membranes
Public engagement of science /Art-Science Workshops
The Clearing: A project from the future
Reitir
Arctic Circle Residency
Jiggling Atoms
Invisible Structures


Commissions and personal work:

The Wound: Between the Stacks
Embroidery symbols
Geology paintings
The Moss Crest Project
Flatland paintings
The Magic Calendar
The Infinite Landscape
Dissecting Room Drawings
Other ceramics
Radio Club
Sunk Season
A Vague Inventory of Ailments and States
Helmets for Her/o/ines/
Epecuen (mural/installation)


Collaborations:

Between the Stacks
Night on the LEZ(TIE) BAG
LEZ in Training


Writing/illustration/talks

Published books 
Academic publications

Conferences


Contact

LinkedIn
Instagram

Email: jennifer.ap.crouch@proton.me



Mark





Flatland Paintings 




UKG / 2012
Title: Flatland
and Other Extracts

            And with them, or after them, may there not come that even bolder adventurer — the first geolinguist, who, ignoring the delicate, transient lyrics of the lichen, will read beneath it the still less communicative, still more passive, wholly atemporal, cold, volcanic poetry of the rocks: each one a word spoken, how long ago, by the earth itself, in the immense solitude, the immenser community, of space.



Topological take on Flatland (the 1885 tale of) by Edwin Abbott Abbott.

Acrylic gloss medium and pigment on card

Jennifer Crouch © 2011