JENNIFER CROUCH
Artist, researcher, author and art-science practitioner working in drawing, textiles and sculpture

about
CV


Portfolio overview:
Symbols
Drawings
Paintings
Textiles
Sculpture
Ceramics
Prints
Workshops
TATTOOS 
Celestial Collections: quilted designs


“Recorporealising MRI Data” PhD project:

ABSTRACT
MRI: physics and data

Body-machine interface: Phantoms

Art objects as a scientific device

Analogue-digital interface: developing patterns
Re-corporealising MRI data 

Yarn wrappings // lab maps 

Body-loom assemblage

Woven-work

Research maps

Painted cartographies



Practice-based Research projects:
A (sym)poetics of biomineralisation
Textile research methodologies
Synthetic Biology workshop
HELLMOUTH
Cosmic New Materialisms (reading group)
Telescope Club
Textile teaching (on-going - Morley College)


Projects, Exhibitions and Residencies:
Keystone Species Exhibition at Proposition Studios
Membranes
Public engagement of science /Art-Science Workshops
The Clearing: A project from the future
Reitir
Arctic Circle Residency
Jiggling Atoms
Invisible Structures


Commissions and personal work:

The Wound: Between the Stacks
Embroidery symbols
Geology paintings
The Moss Crest Project
Flatland paintings
The Magic Calendar
The Infinite Landscape
Dissecting Room Drawings
Other ceramics
Radio Club
Sunk Season
A Vague Inventory of Ailments and States
Helmets for Her/o/ines/
Epecuen (mural/installation)


Collaborations:

Between the Stacks
Night on the LEZ(TIE) BAG
LEZ in Training


Writing/illustration/talks

Published books 
Academic publications

Conferences


Contact

LinkedIn
Instagram

Email: jennifer.ap.crouch@proton.me



Mark






Body-Loom Assemblage







LE / 1957
From The Immense Journey

            A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.





LE / 1957
From The Immense Journey

            A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.




Yet whenever I see a frog’s eye low in the water warily ogling the shoreward landscape, I always think inconsequentially of those twiddling mechanical eyes that mankind manipulates nightly from a thousand observatories. Someday, with a telescopic lens an acre in extent, we are going to see something not to out liking, some looming shape outside there across the great pond of space.
            Whenever I catch a frog’s eye I am aware of this, but I do not find it depressing. I stand quite still and try hard not to move or lift a hand since it would only frighten him. And standing thus it finally comes to me that this is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely magnificent power of humanity. It is, far more than any spatial adventure, the supreme epitome of the reaching out.

Mark