JENNIFER CROUCH
Artist, researcher, author and art-science practitioner working in drawing, textiles and sculpture

about
CV


Portfolio overview:
Symbols
Drawings
Paintings
Textiles
Sculpture
Ceramics
Prints
Workshops
TATTOOS 
Celestial Collections: quilted designs


“Recorporealising MRI Data” PhD project:

ABSTRACT
MRI: physics and data

Body-machine interface: Phantoms

Art objects as a scientific device

Analogue-digital interface: developing patterns
Re-corporealising MRI data 

Yarn wrappings // lab maps 

Body-loom assemblage

Woven-work

Research maps

Painted cartographies



Practice-based Research projects:
A (sym)poetics of biomineralisation
Textile research methodologies
Synthetic Biology workshop
HELLMOUTH
Cosmic New Materialisms (reading group)
Telescope Club
Textile teaching (on-going - Morley College)


Projects, Exhibitions and Residencies:
Keystone Species Exhibition at Proposition Studios
Membranes
Public engagement of science /Art-Science Workshops
The Clearing: A project from the future
Reitir
Arctic Circle Residency
Jiggling Atoms
Invisible Structures


Commissions and personal work:

The Wound: Between the Stacks
Embroidery symbols
Geology paintings
The Moss Crest Project
Flatland paintings
The Magic Calendar
The Infinite Landscape
Dissecting Room Drawings
Other ceramics
Radio Club
Sunk Season
A Vague Inventory of Ailments and States
Helmets for Her/o/ines/
Epecuen (mural/installation)


Collaborations:

Between the Stacks
Night on the LEZ(TIE) BAG
LEZ in Training


Writing/illustration/talks

Published books 
Academic publications

Conferences


Contact

LinkedIn
Instagram

Email: jennifer.ap.crouch@proton.me



Mark





Sculpture/artefacts and props




2025
BETWEEN THE STACK: THE WOUND

The Wound was a prop created for Marlo D Mortimer and Sonny Silver for the Between the Stacks performance at Ugly Duck for the HYSTER show case, April 19th 2025.






2018-23
Data sculpture

The data sculpture is true-to-scale, a materialisation of un-tangible bodily data. Milled from dense fleshy pink foam, this sculpture is a physical and tactile rendering of what MRI reveals. The changes I made to my data resulted in patchy and globular, partial and flayed forms. My data sculpture is an uncertain embodiment of subjectivity contextualised by the speculative, unknown status of my cancer in 2018. The danger which my data sculpture may or may not contain is emotionally untranslatable.