JENNIFER CROUCH
Artist, researcher, author and art-science practitioner working in drawing, textiles and sculpture

about
CV


Portfolio overview:
Symbols
Drawings
Paintings
Textiles
Sculpture
Ceramics
Prints
Workshops
TATTOOS 
Celestial Collections: quilted designs


“Recorporealising MRI Data” PhD project:

ABSTRACT
MRI: physics and data

Body-machine interface: Phantoms

Art objects as a scientific device

Analogue-digital interface: developing patterns
Re-corporealising MRI data 

Yarn wrappings // lab maps 

Body-loom assemblage

Woven-work

Research maps

Painted cartographies



Practice-based Research projects:
A (sym)poetics of biomineralisation
Textile research methodologies
Synthetic Biology workshop
HELLMOUTH
Cosmic New Materialisms (reading group)
Telescope Club
Textile teaching (on-going - Morley College)


Projects, Exhibitions and Residencies:
Keystone Species Exhibition at Proposition Studios
Membranes
Public engagement of science /Art-Science Workshops
The Clearing: A project from the future
Reitir
Arctic Circle Residency
Jiggling Atoms
Invisible Structures


Commissions and personal work:

The Wound: Between the Stacks
Embroidery symbols
Geology paintings
The Moss Crest Project
Flatland paintings
The Magic Calendar
The Infinite Landscape
Dissecting Room Drawings
Other ceramics
Radio Club
Sunk Season
A Vague Inventory of Ailments and States
Helmets for Her/o/ines/
Epecuen (mural/installation)


Collaborations:

Between the Stacks
Night on the LEZ(TIE) BAG
LEZ in Training


Writing/illustration/talks

Published books 
Academic publications

Conferences


Contact

LinkedIn
Instagram

Email: jennifer.ap.crouch@proton.me



Mark





Re-Corporealising MRI Data_ a Practice-based investigation into MRI


Link to PhD: University of Portsmouth, titled Re-corporealising MRI Data: A Practice-based Investigation through Art and Science.

Publication with .able journal can be found here
Publications on HAL can be found here





ABSTRACT

The collection of works by Jennifer Crouch in this section of their website was created as part of my practice-based PhD project carried out at the University of Portsmouth. This research project began with MRI and makes use of scientific knowledge and personal experiences of medicine, treatment for breast cancer and the health care system.

Being largely isolated from how computational technologies work generally, there is an increasing incentive to make their internal processes accessible. Through this research project and the experience of making the artefacts exhibited, I developed embodied approaches to understanding biomedical imaging that explore the ways in which MRI data is organised and codified. My sculptural, woven, drawn and painted practices draw on the mathematical and physical processes of MRI.

Sculptural ‘phantoms’ investigate the interface between body and machine and are semi-figurative constructs informed by how the body interacts with the physics of MRI. I also developed a weaving practice as an embodied method to investigate how analogue signals in MRI are transformed into digital biomedical images. My woven work is a non-pictorial deconstructive reconfiguration of mathematical phenomena needed in signal analysis. My aim in this was to investigate, through making, how this aspect of MRI technology works.

The creative acts of drawing, illustration, making diagrams and paintings chart the entanglements of the body, bodily materials, and their interactions with MRI. The visuals and images produced also act as a map connecting the various elements of my art practice to my findings, materials, processes, places, systems, environments and my experience of being a cancer patient.








Mark