JENNIFER CROUCH
Artist, researcher, author and art-science practitioner working in drawing, textiles and sculpture

about
CV


Portfolio overview:
Symbols
Drawings
Paintings
Textiles
Sculpture
Ceramics
Prints
Workshops
TATTOOS 
Celestial Collections: quilted designs


“Recorporealising MRI Data” PhD project:

ABSTRACT
MRI: physics and data

Body-machine interface: Phantoms

Art objects as a scientific device

Analogue-digital interface: developing patterns
Re-corporealising MRI data 

Yarn wrappings // lab maps 

Body-loom assemblage

Woven-work

Research maps

Painted cartographies



Practice-based Research projects:
A (sym)poetics of biomineralisation
Textile research methodologies
Synthetic Biology workshop
HELLMOUTH
Cosmic New Materialisms (reading group)
Telescope Club
Textile teaching (on-going - Morley College)


Projects, Exhibitions and Residencies:
Keystone Species Exhibition at Proposition Studios
Membranes
Public engagement of science /Art-Science Workshops
The Clearing: A project from the future
Reitir
Arctic Circle Residency
Jiggling Atoms
Invisible Structures


Commissions and personal work:

The Wound: Between the Stacks
Embroidery symbols
Geology paintings
The Moss Crest Project
Flatland paintings
The Magic Calendar
The Infinite Landscape
Dissecting Room Drawings
Other ceramics
Radio Club
Sunk Season
A Vague Inventory of Ailments and States
Helmets for Her/o/ines/
Epecuen (mural/installation)


Collaborations:

Between the Stacks
Night on the LEZ(TIE) BAG
LEZ in Training


Writing/illustration/talks

Published books 
Academic publications

Conferences


Contact

LinkedIn
Instagram

Email: jennifer.ap.crouch@proton.me



Mark





A (sym)poetics of Biomineralisation


In November 2024, I delivered a course based on a project I have been working with with Dr Ruth Alison Clemens called A (Sym)Poetics of Biomineralisation during #CoCreates week at #HGK FHNW Academy of Art and Design (HGK), University of Applied Sciences and Arts Northwestern Switzerland FHNW where students used practice-based research to explore meanings and matter through ceramics, clay, plaster and alginate as a relational, embodied and embedded enactment of creative-biomineral convergences.

Biogeochemical processes of biomineralisation were read alongside practice and in relation to literary and cultural processes of creativity. Students researched various case studies such as mother of pearl, Mother Shipton’s petrifying well and hydroxyapatite in bone, presented findings, shared knowledge and developed concepts into research artefacts. 🦷🌋🐚🦪🦀🦐🦞🌊🗻

This post has images of student work…
Students created clay, plaster and gelatinous organisms and organs by thinking of the deep past, our present and science-fictional futures. Very proud of the excellent work the students created.

A (Sym)Poetics of Biomineralisation was based on a lecture co-authored and delivered with Dr Ruth Alison Clemens for Professor Rosi Braidotti’s 2021 ‘The Posthuman & New Materialism’ online Summer School at the Utrecht University, Department of Media & Culture Studies, which was published as a chapter in an edited volume in 2025.

10 (Sym)Poetics of Biomineralisation: Molecular Biology/Literature/Posthuman Poetics
by Ruth Alison Clemens and Jennifer Aurelie Crouch

DOI:  https://doi.org/10.1515/9781399512688-014

This course was an attempt to realise and explore the pedagogical potential of ‘A (Sym)Poetics of Biomineralisation’ and see how matters and processes in practice can embody multiple stories across time and space.

Huge thanks (twice!) to Nicolaj van der Meulen for the invite to deliver this course!






Introductions
Initial student research


student research
student research
student research




Research through making
Practice-based explorations of biomineralisation







Research through making
Practice-based explorations of biomineralisation


 
wood matter pressed into clay
tooth casting
sculptural fabulated anatomies




Research through making
Mould-making, casting with plaster, 3D printing








Research through making
Petri dish, gelatin and seeds, experimental materials and casting









Research through making
Plaster casting and carving, releasing castings from moulds, process and revealing research artefacts





ANALYSIS
thorugh A (Sym)Poetics of Biomineralisation 








Mark